Georgie Grace

The machine is almost pure magic (2015)

Commissioned through Jerwood Encounters: 3-Phase, a new artist development collaboration between two artist-led organisations Eastside Projects (Birmingham) and g39 (Cardiff), and Jerwood Charitable Foundation, through its London based gallery programme Jerwood Visual Arts.

 

1. Reality does not run along the neat straight lines of the printed page wrote Sadie Plant in Zeros and Ones, aligning the infinitely tangled webs of the internet with the infinitely tangled webs of language. In the liquid flow of the data stream, words become isolated fragments estranged from an organizing central narrative. The channels of the computerized network are a-temporal. Against time (as we know it), not in any way with it. To read on and with the screen is to trust your body, and all of its unpredictable eruptions, over the packaged and bound linear narrative. When the machine hums, your body hums too, and so does language. Brains… are not unified entities but hives or swarms of elements, interconnected multiplicities, packet-switching systems of enormous complexity, which have no centralized government (Plant, 1997). [continue reading]

 

georgie grace